anxius:

flowwrpetal:

these ferguson posts are starting to get on my nerves

I’m sorry that it’s an inconvinience for you to be at home on a computer and have to see people facing police brutality and fighting for their rights

africant:

he tried to be slick smh.


toastoat:

"you’re so full of yourself" is such a weird expression like what else would I be full of???? bees??? styrofoam?????


findouteverything:

pharoahsectotherm:

sapientpawnkeeper:

somebody should write an essay comparing and contrasting tina from bob’s burgers and meg from family guy and explain why tina hit the mark for respectfully portraying the awkward teenage years and why meg is a huge fucking insensitive joke that isn’t even funny

Tina is a character, Meg is a punchline. 

wow that’s a pretty concise essay


sourcedumal:

lady-yuna:

2srooky:

mockingatlas:

prismatic-bell:

Can we just stop and talk about this for a minute?

Thresh doesn’t make an alliance. Thresh doesn’t waste time liking her. Thresh knows that either he must kill her or she must kill him for one of them to win.

But this is the only way he can repay her for protecting Rue when he couldn’t. It’s the only way he can repay her for honoring Rue when he couldn’t. He honors her by sparing her friend, the girl who would have died for her.

The revolution really doesn’t start with Katniss.

It starts with Rue.

SOMEBODY FINALLY SAID IT

This is exactly the point I’ve been trying to make for years. Okay, so the revolution gets it’s kindling with Katniss. She volunteers, well that’s new, she rebels in the display of talents by shooting the apple. This triggers her perfect score, okay. These aren’t really “Revolutionary” though. 

It’s not even revolutionary when Peeta professes his love, because, let’s face it, the rules of the game haven’t changed. They’re still just two kids who would have to KILL each other to win. Without a doubt, it would bring some interest to the games, so the Capitol makes propaganda about it. The “Star Crossed Lovers” in a game of life and death.

But what changes the game is Rue. Right away from her introduction in the books we know Rue is going to be somewhat of a big deal. She was compared to the most important character to Katniss, Prim, so that’s a huge indicator. She’s small, young, she’s what Prim would have been.

So Katniss instantly feels a subconscious pull toward her. 

When they meet in the trees, Katniss could have killed Rue easily, and Rue probably could have pulled a sneak attack or alerted the Careers of Katniss’s presence. Instead, Rue points out the Tracker Jacker nest.

Then it escalates, Rue and Katniss become an odd team, they’re an alliance, which is never new in the Hunger Games, as forming teams and then betraying them at the end seems to be a common, but there’s is different. It’s close, it’s sisterly, protective.

And then Rue get’s impaled. Katniss kills her first tribute with ease after that. Comparing it to hunting game. Katniss holds Rue, she cries, and then she sings. She sings for Rue a song of promised safety and warmth, something completely absent in the arena. 

And this is where the metaphorical canon fires. Katniss could have left Rue, the hovercraft would have been along to pick her up, but she can’t. She’s morally obligated to love this girl as much as possible. And this is where the revolution starts. 

She honors the dead. She honors a dead tribute from a district she’d never seen, a person she’d known for only a short period of time. But she throws away Hunger Games norms. She rejects them completely.

In the Hunger Games you’re supposed to kill mercilessly and leave the victims for the plain box they’re shipped home in. 

Katniss gives Rue a funeral in the Games, she decorates the body, she makes it look like Rue is sleeping. Like no harm had come. Katniss just ignited the coals that Rue had placed.

Rue’s District sends a parachute. Homemade bread. 

Then Thresh kills Clove and distracts Cato by taking his bag. 

The fire is going now, and the actions in Catching Fire are even more obvious.

The Speech for Rue. Peeta’s painting. Everything eludes back to this one little girl who became Katniss’s family.

So the revolution never started with Katniss, she was just the tinder for Rue’s ignition. 

Rue was the real Mockingjay.

Also, who’s four note whistle is constantly attached to the trailers?

Rue’s whistle.

Rue is omnipresent in the books and movies, and I absolutely love it.

The rebellion was started because the innocence of a black girl was defiled.

That is a powerful statement that a lot of people gloss over for this book


ihopethepeople:

str8 ppl are always like “this background gay character is such great representation, they’re such a non-stereotype, their sexuality is almost never mentioned, they’re just like a straight person of the same gender!”

But as a lesbian and a friend 2 lesbians: we are constantly talking about how gay we are. Just non-stop. Over half the posts on my dash are just us being like, “girls are so cute and I want to kiss them and also I am extremely a homogay”


leuwd-bovine:

casualcissexism:

shaymew:

smekers32:

jokes Americans won’t get

why wouldn’t americans get this post like we have buoys you know right???

didn’t u kno in america we call them MCDONALDS HAMBURGER OCEAN FLOATERS

I find it hilarious when people think we aren’t smart enough to get a simple yet funny joke.

But also in most British dialects “buoy” and “boy” are homonyms.


arabellesicardi:

Here is a side by side comparison of how The New York Times has profiled Michael Brown — an 18 year old black boy gunned down by police — and how they profiled Ted Bundy, one of the most prolific serial killers of all time. 

Source for Brown, Source for Bundy.



hohohobutmadefashion:

when two of your friends get into an argument and they both try to drag you in for support and you’re like

image


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